I am a multidisciplinary installation artist whose primary medium is glass, in which I explore themes of climate change, existential dread, and human/non-human bodily transformation.
Central to my work is an area of study called EcoGothic, which focuses on the consequences of unchecked industrial development as found in classic Gothic literature and contemporary horror, coupled with our modern concerns of ecological sustainability.
Using this framework, I hope to expand the dialogue around and illustrate the urgent realities of human-driven environmental damage, as well as explore creative expressions and solutions that build on local traditions, experience, and knowledge.